The Network 'Writing, Translating, Analysing Dalit Literature' was created in 2014 by Dr Nicole Thiara, Centre for Postcolonial Studies at Nottingham Trent University (NTU), UK, and Dr Judith Misrahi-Barak, research centre EMMA at Université Paul-Valéry Montpellier 3 (UPVM), France, following the award of an AHRC grant. The research conducted during the 2014-16 grant period explored and analysed Dalit literature in international, multi-disciplinary contexts for the first time since Dalit literature, produced by artists formerly labelled 'Untouchables', emerged as the most significant, prolific and controversial literary movement in India in the last 30 years. Despite the quality, vibrancy and experimental nature of this burgeoning literary tradition, it had received scant attention from the general public or in academia. To raise its profile, in Europe and globally, and to stimulate academic research and public interest, Thiara and Misrahi-Barak organised six academic and public-facing events in the UK (at Nottingham Trent University, University of Leicester, University of East Anglia), France (at UPVM) and India (at Savitribai Phule Pune University and Delhi University). They were a resounding success (450 participants in total) and the network produced a website, a digital communications channel and several publications. Follow-on funding will allow a series of festival events to be organised that focus on Dalit and Adivasi literatures and the performing arts in India, France and the UK. During the period of network funding, it became apparent that further collaboration is needed to ensure that work by socially precarious, economically challenged, and culturally marginalized artists becomes visible and is valued in both national and global contexts. It emerged that drama and poetry were among the most marginalised of genres, and received the least attention from scholars, even though these genres are among the most significant in Dalit and Adivasi activist circles and the most prominent in voicing resistance to continued caste discrimination and social exclusion. Even more significant was the insight we gained into the widespread perception amongst Dalit and Adivasi writers and performing artists that their literary and artistic output requires larger and more varied audiences in order to sustain its creative and experimental development. Dalit and Adivasi folk art forms are in danger of disappearing if they do not receive more support from a pan-Indian Dalit and Adivasi audience, and from cultural and state organisations, and can be both supported and enriched by new 'mainstream' audiences and international recognition.