University of Murcia
University of Murcia
1 Projects, page 1 of 1
assignment_turned_in ProjectPartners:University of Edinburgh, Edinburgh College of Art, History of Arts, University of Warsaw, Humboldt-Universität zu Berlin, University of Warsaw, University of Edinburgh +3 partnersUniversity of Edinburgh, Edinburgh College of Art, History of Arts,University of Warsaw,Humboldt-Universität zu Berlin,University of Warsaw,University of Edinburgh,Humboldt-Universität zu Berlin,University of Murcia,University of Murcia, Facultad de Letras, Department of EnglishFunder: Netherlands Organisation for Scientific Research (NWO) Project Code: HERA.15.099The 1970s was a crucial decade for LGBTQ culture and politics, lying between the advent of an international gay rights movement in the 1960s and the impact of HIV/AIDS in the 1980s. Across Europe, LGBTQ people began to collectively discuss the broader ramifications of their sexual and gender identities, and to fight against persecution and discrimination. This was accompanied by a proliferation of social spaces, sexual interactions, and cultural production. In the face of ongoing homophobia and human rights struggles, Cruising the 1970s (CRUSEV) asks: how might we best reconstruct and comprehend European LGBTQ experiences of the 1970s, and what can this knowledge contribute to understandings of queer politics and identity in Europes present and future? Deploying a broad array of methodological approaches including archival investigation, interviews, and the production of original artworks, research teams in Germany, Poland, Spain, and the United Kingdom will explore their distinct and shared histories collaboratively. Through a programme of events (including workshops, symposia, and exhibitions) and a set of shared themes (such as oral history, local organizing, and visual arts), the research teams will meet regularly to exchange their findings with each other and a variety of stakeholders. CRUSEV aims to unearth traces of queer culture and interaction from this relatively recent era, especially those that were evanescent and are in danger of disappearing. It will uncover imagined versions of the queer future, dreamed of by artists and activists in the 1970s, which were explored but abandoned. Simultaneously, standard historical accounts of the gay liberation of the 1970s will be interrogated: what alternate versions of the queer 1970s have been sidelined, and with what effects? All of these materials and insights will be shared widely, in order to provoke a political reconsideration of what it means to be LGBTQ in Europe in the present.
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