Abstracts are not currently available in GtR for all funded research. This is normally because the abstract was not required at the time of proposal submission, but may be because it included sensitive information such as personal details.

Abstracts are not currently available in GtR for all funded research. This is normally because the abstract was not required at the time of proposal submission, but may be because it included sensitive information such as personal details.

This project aims to bring together motion capture technology with established movement practices which cultivate attention on bodily awareness, and in particular Skinner Releasing Technique (SRT), to explore how sensorial awareness can be captured and what visualisations might emerge. SRT is a pioneering approach to dance which has evolved from the simple principle that when we are letting go of habitual holding patterns we can move more freely, articulately and powerfully. Joan Skinner, the American choreographer, dance improvisation pioneer and former dancer with the Martha Graham and Merce Cunningham companies, created the technique from early experiments in the 1960s. SRT utilizes image-guided floorwork to ease tension and promote an effortless kind of moving, integrated with alignment of the whole self. Tactile exercises (partner 'graphics') are used to give the imagery immediate kinaesthetic effect: spontaneous movement is evoked by imagery and guided movement studies. Motion capture is a generic name for the techniques which obtain motion data from human performers for a wide range of applications including biomechanics, sports science, ergonomics, advertising, TV and 3D computer games. Regarded as a significant component of the film and games industries, motion capture is also incorporated into arts events but it demands a level of expertise to use it effectively that is not readily achieved by artists.\n\nThe project will explore how the methods and principles which characterise the practice of SRT and related practices can 'translate' to the production of visualisations for virtual environments, to shed light on contemporary ideas of interface design and display methods, and to understand more about SRT as a movement discipline. The aim is to enhance the interaction experience for audiences to produce new art experiences which are intellectually and socially engaging and can, through a re-engagement with the complexity of the moving body, generate new understandings about our relationship with our own body within the world. The project is therefore unique in that it will map a specific dance practice, embed this mapping within a game engine and test a variety of avatar visualisations in real time allowing audiences to interact and be directly involved in the process. Finally this interaction will be augmented by using these findings to immerse the player/performer into the action to create new performance spaces and experiences.\n

How would you like to have your house cleaned automatically by a robot? Would you trust a robot babysitter? Do you think you would fancy a robot partner? How far do you think present-day robotics technology has actually advanced - can you tell the difference between science fact and science fiction? If a fully-functional, thinking robot could be developed, would you consider it human?How many of us have really considered the technical challenges and ethical issues of robotics research? Robot Thought? - Thinking about Robots is an event designed to enable family audiences to consider and convey their opinions on issues relating to science and engineering. The event uses the format of short dramatic vignettes to highlight important practical, personal and social issues relating to robotics. During each vignette a particular concept or issue is presented to the audience, who are then encouraged to express their opinions and concerns about the issues, and debate the implications of robotics on future society.The event format has already been trialled in Bristol, to great acclaim. This project will involve taking the highly popular and thought provoking performances to family audiences across the country. Eight science communication venues and four robotics research laboratories have signed on as partners to enhance the delivery and dissemination of this exciting event format over the course of the two-year project.

The PSIBS Doctoral Training Centre (DTC) will focus on the development of the physical sciences of imaging and the computational analysis of image data to address key problems in the biological and biomedical sciences.The importance of Imaging to Bioscience and Medicine has been highlighted both by the N111 and the UK research councils.There is art apparent and growing need for people with these skills within UK industries with diverse business focuses (proposal section 3). This is reflected by their involvement in this PSIBS DTC and their contributions to the training.Two key benefits of training cohorts of students rather than individually funded students are: (1) The PSIBS multi-disciplinary taught programme that will upgrade the skill- and knowledge-base of traditional UK bachelors-level single-discipline graduates to underpin and enable cross-disciplinary PhD research. (ii) The students will develop extensive and cross-disciplinary links and networks, both with other PSIBS students and the many PSIBS academics, which will persist throughout their future research careers.Imaging technology is evolving faster than the standard grant turnaround time and dynamic, responsive PhD research within a critical mass of experts will enable (a) rapid response and (b) cutting edge research against our overseas competitors (proposal section 4).