Forma
2 Projects, page 1 of 1
assignment_turned_in Project2012 - 2017Partners:Rebellion Developments Ltd, Lancaster City Council, Foundation for Art & Creative Technology, Lancashire County Council, MDDA +85 partnersRebellion Developments Ltd,Lancaster City Council,Foundation for Art & Creative Technology,Lancashire County Council,MDDA,National Endowment for Science, Technolo,The Storey,Keith Khan Associates,Arts Council England,Mydex,Opera North,Cornerhouse,Rebellion Developments Ltd,Binary Asylum,Microsoft Research Ltd,Binary Asylum,Forma,Creative Concern (United Kingdom),Resonance104.4fm,Royal College of Art,Mydex,Tyne and Wear Archives and Museums,BREAD (Bureau of Res Eng Art & Design),Lancaster City Council,FutureEverything CIC,FACT,National Media Museum,Audio Visual Arts North East,The Sharp Project,Newcastle University,FutureEverything CIC,Manchester Digital Development Agency,Chinwag,Keith Khan Associates,Games Audit Ltd,Audio Visual Arts North East,Quays Programming Group,The Sharp Project,BBC,Forma,Limbs Alive,Stephen Feber Limited,B3 Media,BBC Television Centre/Wood Lane,Quays Programming Group,BREAD (Bureau of Res Eng Art & Design),The Storey,Tate,BBC Research and Development,Chinwag,Imitating the Dog,Manchester Digital Laboratory,TWAM,Opera North,CODEWORKS,Collections Trust,Limbs Alive,Imitating the Dog,Science Museum Group,Games Audit Ltd,Arts Council England,Creative Concern,Tate,B3 Media,Trafford Council,Lancaster University,Cornerhouse,Manchester Digital Laboratory (MadLab),MICROSOFT RESEARCH LIMITED,Nesta,Sage Gateshead (North Music Trust),MediaCityUK,The Collections Trust,Mudlark,CODEWORKS,Manchester Digital Limited,Stardotstar,Stephen Feber Limited,Lancashire County Council,Resonance104.4fm,Lancaster University,MediaCityUK,Sage Gateshead,Mudlark,Corner House,Manchester Digital Limited,RAFC,Newcastle University,Stardotstar,TRAFFORD BOROUGH COUNCILFunder: UK Research and Innovation Project Code: AH/J005150/1Funder Contribution: 4,042,320 GBPThis unique consortium draws on the research excellence of interdisciplinary and complementary design innovation labs at three universities - Lancaster University, Newcastle University and the Royal College of Art and connects it with public and private sectors, linking large and small-scale businesses, service providers and citizens. Together, our expertise in developing and applying creative techniques to navigate unexplored challenges includes that of designers, artists, curators, producers, broadcasters, engineers, managers, technologists and writers - and draws on wider expertise from across the partner universities and beyond. The Creative Exchange responds to profound changes in practice in the creative and media-based industries stimulated by the opening of the digital public space, the ability of everyone to access, explore and create in any aspect of the digital space, moving from 'content consumption' to 'content experience'. It explores new forms of engagement and exchange in the broadcast, performing and visual arts, digital media, design and gaming sectors, by focusing on citizen-led content, interactive narrative, radical personalization and new forms of value creation in the context of the 'experience economy'. The primary geographic focus is the Northwest of England centred around the opportunity presented by the growth of MediaCityUK and its surrounding economy. The three universities act as local test beds with field trials in London, Lancaster and Newcastle prior to larger public facing trials in the northwest. This will support the North West regional strategy for growth in digital and creative media industries, whilst generating comparative research and development locally, nationally and internationally. The Creative Exchange has been developed in response to a paradigm shift in content creation and modes of distribution in a digitally connected world, which has profound impact for the arts and humanities. This transformational-change is taking place within the landscape of a growing digital public space that includes archives, data, information and content. How we navigate and experience this space - and how we generate content for and within it - is central to how we create economic, social, cultural and personal value. The Hub draws on new and agile approaches to knowledge exchange for the creative economy that have been previously developed by the partner universities and new ones co-developed with specialist arts organizations, sector organizations and communities of users.
more_vert assignment_turned_in Project2014 - 2025Partners:Polytechnic University of Milan, Digital Catapult, Bossa Studios, SAPO Portuguese Telecomms, British Screen Advisory Council +112 partnersPolytechnic University of Milan,Digital Catapult,Bossa Studios,SAPO Portuguese Telecomms,British Screen Advisory Council,BT Group,HerxAngels,David Reeves Consulting Ltd,TIGA The Ind Game Dev Assoc Ltd,University of York,Science City York,Clicmobile SAS,UK Interactive Entertainment,The Creative Assembly,AI Factory Ltd.,Marmalade Game Studios UK,Forma,HerxAngels,University of Twente,Roll7,Electronic Arts (United Kingdom),INRIA Research Centre Saclay,TIGA The Ind Game Dev Assoc Ltd,Int Game Developers Assoc IGDA,Codemasters,Imaginarium,AIGameDev,ICX,Splashdamage,Swrve New Media,Hand Circus,Codemasters,22cans,INRIA Research Centre Saclay,Tangentix,Tangentix,Namaste Entertainment,Hand Circus,Geomerics Ltd,WUT,University of York,Essex Age UK,Supermassive Games,TU Dortmund University,Int Game Developers Assoc IGDA,Forma,22cans,Modern Built Environment,Tendring District Council,Splashdamage,Kuato Studios UK,Mental Health Foundation,University of Twente,Clicmobile SAS,DTS Licencing Ltd UK,Game Republic,BLITZ GAMES,Essex Age UK,Roll7,SideFX,Supermassive Games,Tendring District Council,GEOMERICS LTD,Stainless Games Ltd,Game Republic,Electronic Arts,Science City York,Crowdicity,AIGameDev,Revolution Software Ltd,We R Interactive Ltd,The Tuke Centre,The Creative Assembly,Sony Interactive Entertainment,British Screen Advisory Council,Rebellion Developments Ltd,SAPO Portuguese Telecomms,IT University of Copenhagen,Technology Strategy Board (Innovate UK),University of Iceland,Stainless Games Ltd,Txchange,Imaginarium,University of Malta,Marmalade Game Studios UK,Havok,Innovate UK,Four Door Lemon Ltd,Ukie (Interactive Entertainment Assoc),British Telecom,Blitz Games Studios,Kuato Studios UK,UKRI,Eutechnyx,Rebellion,Havok,Rebellion,Namaste Entertainment,Mental Health Foundation,SideFX,Four Door Lemon Ltd,The Tuke Centre,Age UK,ROLI,Txchange,ROLI,Bossa Studios,Connected Digital Economy Catapult,University of Malta,Crowdicity,Revolution Software Ltd,Sony Computer Entertainment Europe,Eutechnyx,Swrve New Media,AI Factory Ltd.,BT Group,DTS Licencing Ltd UKFunder: UK Research and Innovation Project Code: EP/L015846/1Funder Contribution: 5,651,240 GBPThe digital games industry has global revenues of $65bn (in 2011) predicted to grow to $82bn by 2017. The UK is a major player, whose position at third internationally (behind the US and Japan) is under threat from China, South Korea and Canada. The £3bn UK market for games far exceeds DVD and movie box office receipts and music sales. Driven by technology advances, the industry has to reinvent itself every five years with the advent of new software, interaction and device technologies. The influential 2011 Nesta "Next Gen" review of the skills needs of the UK Games and Visual Effects industry found that more than half (58%) of video games employers report difficulties in filling positions with recruits direct from education and recommended a substantial strengthening of games industry-university research collaboration. IGGI will create a sustainable centre which will provide the ideal mechanism to consolidate the scientific, technical, social, cultural and cognitive dimensions of gaming, ensuring that the industry benefits from a cohort of exceptional research-trained postgraduates and harnessing research-led innovation to ensure that the UK remains at the forefront of innovation in digital games. The injection of 55+ highly qualified PhD graduates and their associated research projects will transform the way the games industry works with the academic community in the UK. IGGI will provide students with a deep grounding in the core technical and creative skills needed to design, develop and deliver a game, as well as training in the scientific, social, therapeutic and cultural possibilities offered by the study of games and games players. Throughout their PhDs the students will participate in practical industrial workshops, intensive game development challenges and a yearly industrialy-facing symposium. All students will undertake short- and longer-term placements with companies that develop and use games. These graduates will push the frontiers of research in interaction, media, artificial intelligence (AI) and computational creativity, creating new game-themed research areas at the boundaries of computer science and economics, sociology, biology, education, robotics and other fields. The two core themes of IGGI are: Intelligent Games - increasing the flow of intelligence from research into digital games. We will use research advances to seed the creation of a new generation of more intelligent and engaging digital games, to underpin the distinctiveness and growth of the UK games industry. The study of intelligent games will be underpinned by new business models and research advances in data mining (game analytics) which can exploit vast volumes of gameplay data. Game Intelligence - increasing the use of intelligence from games to achieve scientific and social goals. Analysis of gameplay data will allow us to understand individual behaviour and preference on a hitherto impossible scale, making games into a powerful new tool to achieve scientific and societal goals. We will work with user groups and the games industry to produce new genres of games which can yield therapeutic, educational and social benefits and use games to seed a new era of scientific experimentation into human behaviour, preference and interaction, in economics, sociology, psychology and human-computer-interaction. The IGGI CDT will provide a major advance in an area of great importance to the UK economy and massive impact on society. It will provide training for the leaders of the next generation of researchers, developers and entrepreneurs in digital games, forging economic growth through a distinctly innovative and research-engaged UK games industry. IGGI will massively boost the notion of digital games as a tool for scientific research and societal good.
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