Edinburgh has a unique literary cityscape. It has long been associated with authors such as Walter Scott, Robert Louis Stephenson, and Muriel Spark; more recently, it is a very strong presence for writers including Irvine Welsh, Ian Rankin and Alexander McCall Smith. Its literary heritage features in the city's self-presentation to visitors and tourists as well as to residents, and in 2004 it was the first ever city to be granted the UNESCO title of 'World City of Literature'. In 2014-15, the 'Palimpsest' project undertook a singular experiment. Using textmining and geolocation techniques, we searched millions of digitised books to bring together narrative works which made use of Edinburgh as a setting. These techniques generated a dataset of 47,000 extracts from more than 500 titles, each one centred around the use of a georeferenced Edinburgh place name. In this way, the literary cityscape becomes visible in new ways - it can be mapped, as well as read, and new connections and comparisons between works and places can be seen or made. Our research for 'Palimpsest' was made public via a website, LitLong.org, and through a couple of exploratory cartographic visualisations. The publication of the work has also made clear that there is substantial interest in our data beyond academia, and in our innovative digital reorganisation Edinburgh's literary cityscape. Two significant players in the cultural economy of Scotland's capital city, the Edinburgh UNESCO World City of Literature Trust and the Edinburgh International Book Festival, have shown interest in making substantial use of the resource, and have agreed to work with us to develop it. However, its utility for our these institutions is conditional on the creation of a new intuitive and interactive resource, specifically designed for users outside academia and created in accordance with the needs of external stakeholders and the diverse communities they seek to serve. This collaborative project will focus on the design and development of such an interface, accessible online, via mobile phones and tablets, and via large touchscreens in cultural venues. The aim is to create an innovative literary experience which will assist our project partners in the promotion and cultivation of Edinburgh's literary heritage and current reputation. In addition, the project will pioneer a new form of collaboration with an independent Scottish publishing company, Birlinn Ltd. We will use the workflow pipeline created for the 'Palimpsest' project to text-mine and georeference relevant works from the company's Polygon imprint, incorporating them into our dataset and making georeferenced extracts available via the interface. In this way, we will be bringing the company's publications to new readers in a new way, helping to promote them and to encourage readership of new Edinburgh-set literature. We will collaborate with our project partners to develop ways of using the new interface that are particularly suitable for specific professional user communities with which they work, including teachers, tourist industry professionals, librarians, school students, visitors, and hard-to-reach groups. The resources developed will be published on the project website, and made freely available to other potential beneficiaries. We will also be gathering user responses via the interface, which will combine with quantitative data to give us insights into what users like and value about the literary works on show. We will accompany the launch of the new interface with a campaign of illuminated installations at selected sites throughout Edinburgh, literally putting the words on the street. The aim will be to foster the widest possible uptake of the resource, enhancing its usefulness to project partners and other beneficiaries. We hope to establish that this way of interacting with the literature of place can offer a model for creative economies elsewhere, and perhaps on a larger scale.

The vast majority of cultural organisations face significant barriers in transitioning towards networked, online cultural and business models. We call this the 'New Real.' New literacies and skills are needed to develop and delight online audiences while negotiating the profound, complex challenges surrounding safety, privacy, transparency, and misinformation in networked environments. Being able to critically reason about the function of a system makes us more resilient in the face of future system failures, or can help us to make judgements about whether systems are safe and ethical. Our project responds directly to this need. Qualitative research through participatory design and ethnographic methodology will investigate the potential for strategies from data arts to be tailored and situated for organisations newly producing online experiences. It will specifically address the design of online and hybrid experiences to both delight audiences and develop critical literacies around the underlying tensions and moral dilemmas in the New Real. Aim: to better understand how to facilitate and accelerate the transition to resilience through new cultural, social and economic models for the UK's world leading cultural sector. This is supported by three concrete Objectives (O), each corresponding to a work-package (WP) and research question (RQ): O1: Understand the strategies used by data arts practitioners and organisations to delight audiences and build critical literacies in the New Real. O2: Co-design pathways with cultural organisations towards new forms of pandemic-resilient online and hybrid experiences. O3: Synthesise a set of actionable insights, tools, concepts and models that can enable and support post-COVID19 recovery.